When my 18-year-old came back home from Bangalore within 7 days of going back to his hostel after a mid-semester break, neither him nor I expected it to go beyond 3 months. I, the development sector worker in charge of 96 people working in various parts of the rural India was more worried than him of course but, going by his reactions later, I guess he expected it to last even less than that. He thought he could finally spend his birthday with his friends as his semester dates changed. His birthday always coincides with summer holidays and when I said, “I want to come and spend time with you that weekend!” he had been in two minds about how to politely turn it down. The mid-semester break in the first week of March in Delhi with me was spent well. The teenager avoided talking too much with me but we also visited a few restaurants together and went to a jazz performance that we targeted from long ago. We talked a bit about dating. His and mine. I was intrigued by his reflection tha...
Are we? Am I? Are you? Are we even more precious because of the wounds, the cracks, the riffs we have in our hearts that we have worked on for years, much alike the ceramic pieces which have gone through Kintsugi ? Are we even more beautiful because we are broken and we did not divert ourselves away from those cracks through the most celebrated addiction of our times, "busy-ness"? Or for that matter dissociated to the extent that parts of us became unreachable along with those cracks? Can we claim higher value than a human who was never broken or for that matter never looked at their broken parts and worked on them? But even before we go there, do we, ourselves consider us exquisite pieces of higher value or are we constantly shaming ourselves about our brokenness and our healing journeys much like the pieces recreated through Kintsugi? It is popularly believed that Kintsugi or Kinsukuroi came into existence around the 15th Century when a Shogun (hereditary military leaders...